Latvian Translation Scene at the Turn of the 19th and 20th Century
Articles
Andrejs Veisbergs
University of Latvia
https://orcid.org/0000-0001-6107-2348
Published 2020-12-28
https://doi.org/10.15388/VertStud.2020.7
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Keywords

censorship
literary translation
Latvian translators
fidelity
free translation
periodicals

How to Cite

Veisbergs A. (2020) “Latvian Translation Scene at the Turn of the 19th and 20th Century”, Vertimo studijos, (13), pp. 110-127. doi: 10.15388/VertStud.2020.7.

Abstract

The paper looks at the Latvian translation scene at the end of the 19th and the beginning of the 20th century. It is a continuation of the study of translation history in Latvia reflected in previous issues of Vertimo studijos (vol. 7, 8, 11). These decades are marked by a huge growth of translation, especially in periodicals. German was gradually losing its dominant position as a source and intermediate language, Russian was advancing, so was also the scope of other languages. In contrast to previous periods there was a particular interest in the quality of the originals and modernity.
This period also saw a change of generations among translators, and women became visible in translation scene. Translators among whom there were all the great Latvian writers gradually emerged as professionals. Frequently translations had prefaces and explanations by the translators. There were numerous parallel translations of the same works, some reaching up to ten versions. Translations included various genres and the traditional Latvian interest in plays was very obvious. So was the focus on specialised literature on agriculture. The translation method changed from localisation to a fidelity mode with a tendency to apply elements of foreignisation.

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